After saying goodbye to the friends I made on the Salt Flats Trip, I began a three day trip to a series of small villages famous for their weavings. I happened to meet two American college students who were interested in a similar trek. Our guide, Jaime, picked us up in a taxi and we drove an hour out of Sucre to the trail-head. We would hike 16 kilometers to see 20,000 year old cave paintings and then follow an old Inca trail to a small town at the bottom of a valle.
What should have been a 6 hour hike, unfortunately turned into a 12 hour walk. One of the girls had absolutely NO hiking experience which I learned while we walked the last 3 hours in the dark with one head lamp. The poor girl had bought new sneakers for the hike and her feet were in excruciating pain. I attempted to amuze the girl and distract her from crying by telling her interesting stories about my life. --Except my life is rather boring so I´m not sure if my stories only added insult to injury. When we arrived at the house where we planned to stay, the old woman who would house us was sound asleep. We stood outside yelling and hollering for over 20 minutes until she finally heard us and came out in her bed clothes to greet us. She had the biggest smile and it felt so welcoming after a long night. I was also amazed by how positive the girls were about their 12 hour trek as we recounted the day while we snuggled up in our wool blankets and ate soup. Below is a picture of us with the woman we stayed with.
The next day, we left for the second village, Marawa, at 7am. We walked along an old dirt road through the mountains and countryside. Along the way, we encountered small children (Some seemed as young as 5 or 6) herding sheep and goats. I debated on whether I should include an animal picture. There were so many animals to choose from: sheep, goats, pigs, donkeys...So here is a goat and sheep picture for your viewing pleasure.
The villages are all farming communities and the villagers happened to be harvesting wheat. They had small racks made out of sticks and would toss the wheat into the air in order to separate the seeds from their coatings. Off in the distance you could see clouds of wheat being tossed in the air. Here is a picture of a wheat field at sunset.
After we arrived to Marawa, the girls decided that they had seen what they had come to see and went back to Sucre in a tourist van that just happened to be in Marawa. It was one of two vehicles we had seen all day. The other vehicle, a large flatbed truck, dropped off about 8 young people from France. Later that night two Austrians arrived followed by 2 French college students. Fortunately for me, my guide had an uncanny ability to get a party going. By 9pm, we were all standing in the kitchen hut talking in our only common language, Spanish, and drinking boiled water with pure alcohol and Cinnamon (His grandmother´s recipe). By 10 pm, the 2 French girls would replace the Americans and join us for the rest of the trek. The following day, the four of us walked 3 hours back to the village from the night before and waited for the tour agency´s taxi to arrive and take us to a small weaving village called Potolo.
All of Villages we had visited were comprised of Jalq'a Indians and Potolo was no different. The absolutely wonderful thing about Potolo is that a few years back, a non profit organization helped the village women to revive their traditional weaving. Their weaving traditions were nearly lost until the village women were organized and the elders began to teach the younger girls in the village how to weave. The Jalq'a weaving tradition consists of weaving in only two colors: black and red (Some use orange and blue or fuscia and black).
The village women weave strange creators that are supposed to resemble the unknown or "the devil." Our tour guide, Jaime, explained that the indigenous people embrace the symbol of "the devil" as a source of power against Spanish rule since in Christian tradition, the devil is something to be feared. Our guide also talked about the importance of having awareness of the unknown and having respect for things or entities that cannot be seen or known. Many of the weavings have mythical creators such as animals with multiple heads. Below is a picture of a woman weaving her design. She didn´t have any weavings to sell to us but I really felt like she took pride in her work. She welcome us into her home and showed us how she did the weavings.
After visiting various homes and looking at women weavers of various ages, I finally purchased one for myself. Below is a picture of the artist and myself holding the weaving. This weaving took over a month of daily labor to make. Many of the weavings take two to three months depending on the size and quality.
One of the French girls also purchased a weaving and as we walked around the village, other women stopped us and examined our purchases. Most wanted to know what we paid. There was a definite sense of healthy business competition amongst the other weavers. Many young girls would approach us and talk with us and say that they wanted to learn how to weave like their mothers. You who are reading this can probably imagine my excitement to see women having a sense of pride and empowerment in a country where women are subjected to a tradition of machismo. --Okay, I'll stop before my republican friends start to vomit...
Speaking of friends, please e-mail me any gift requests you might have. Bolivia (And Peru) is known for its fine alpaca and llama knittings and EXTREMELY affordable prices. Need a new hat? Scarf? Sweater? Llama finger puppet? Perhaps your old, tattered wool poncho needs to be replaced. Let me know....